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Every mural design

Mural Designs

The full mural library — scenic landscapes, botanicals and children's worlds, each one printed to the exact size of your wall on the material you choose.

Style Botanical & Floral 48 Geometric 14 Damask & Baroque 0 Plain & Textured 12 Scenic & Mural 36 Kids & Novelty 255

345 designs · page 1 of 8

Triangles, arcs and circles in slate blue, black and cream, cut with a single band of ochre. Graphic and deliberate, it gives a plain room a strong point of view. — Grigory Gladarev Avant Construct Triangles, arcs and circles in slate blue, black and cream, cut with a single band of ochre. Graphic and deliberate, it gives a plain room a strong point of view. View collection Grigory Gladarev — Quiet Worlds →

Wide bands of soft taupe and grey settle one above another, broken by a single line of deep blue. It is a quiet, level piece that lends a room stillness rather than asking for attention. — Grigory Gladarev Agnes Balance Wide bands of soft taupe and grey settle one above another, broken by a single line of deep blue. It is a quiet, level piece that lends a room stillness rather than asking for attention. View collection Grigory Gladarev — Quiet Worlds →

Fine horizontal stripes run the full width in sand, stone and pale blue, anchored by one dark navy band. Hung wide it reads almost like a horizon seen through half-closed eyes. — Grigory Gladarev Agnes Field Fine horizontal stripes run the full width in sand, stone and pale blue, anchored by one dark navy band. Hung wide it reads almost like a horizon seen through half-closed eyes. View collection Grigory Gladarev — Quiet Worlds →

Blocks of cream, sand, grey and warm brown meet edge to edge like a quiet piece of architecture. The palette is gentle enough to sit behind furniture without competing with it. — Grigory Gladarev Agnes Plane Blocks of cream, sand, grey and warm brown meet edge to edge like a quiet piece of architecture. The palette is gentle enough to sit behind furniture without competing with it. View collection Grigory Gladarev — Quiet Worlds →

Figures rest among broad leaves in ochre, olive and burnt orange, painted in flat, confident shapes. Warm and enveloping, it suits a room you want to feel lived in. — Grigory Gladarev Amber Bloom Figures rest among broad leaves in ochre, olive and burnt orange, painted in flat, confident shapes. Warm and enveloping, it suits a room you want to feel lived in. View collection Grigory Gladarev — Quiet Worlds →

Figures and leaves gather beneath a low sun, the whole scene held in rust, clay and deep green. There is a slow, unhurried warmth to it that works well in a living room. — Grigory Gladarev Amber Flora Figures and leaves gather beneath a low sun, the whole scene held in rust, clay and deep green. There is a slow, unhurried warmth to it that works well in a living room. View collection Grigory Gladarev — Quiet Worlds →

Reclining figures move between palms and tall leaves in soft plum, sand and olive. Quieter than the rest of the family, it carries a room without filling it. — Grigory Gladarev Amber Muse Reclining figures move between palms and tall leaves in soft plum, sand and olive. Quieter than the rest of the family, it carries a room without filling it. View collection Grigory Gladarev — Quiet Worlds →

Dense foliage and half-seen figures in deep rust and umber, closer to a tapestry than a painting. Best given a long wall where the pattern can run. — Grigory Gladarev Amber Veil Dense foliage and half-seen figures in deep rust and umber, closer to a tapestry than a painting. Best given a long wall where the pattern can run. View collection Grigory Gladarev — Quiet Worlds →

Circles and triangles overlap across the wall in blue, grey and bone, with a rhythm that keeps the eye moving. It brings energy to a hallway or a study. — Grigory Gladarev Avant Pulse Circles and triangles overlap across the wall in blue, grey and bone, with a rhythm that keeps the eye moving. It brings energy to a hallway or a study. View collection Grigory Gladarev — Quiet Worlds →

A framed composition of blue planes and black diagonals, lifted by two marks of warm yellow. The calmest of the three, and the easiest to live with day to day. — Grigory Gladarev Avant Signal A framed composition of blue planes and black diagonals, lifted by two marks of warm yellow. The calmest of the three, and the easiest to live with day to day. View collection Grigory Gladarev — Quiet Worlds →

Tulip-like blooms and long leaves in muted teal, apricot and stone, painted in soft overlapping shapes. Gentle enough for a bedroom, pretty enough for a hallway. — Grigory Gladarev Emil's Bloom Tulip-like blooms and long leaves in muted teal, apricot and stone, painted in soft overlapping shapes. Gentle enough for a bedroom, pretty enough for a hallway. View collection Grigory Gladarev — Quiet Worlds →

Rounded leaves branch across a pale ground in rust, sage and clay. Wide and low, it sits well above a sideboard or along a stairway. — Grigory Gladarev Emil's Bouquet Rounded leaves branch across a pale ground in rust, sage and clay. Wide and low, it sits well above a sideboard or along a stairway. View collection Grigory Gladarev — Quiet Worlds →

Broad leaves in deep teal and warm brown lean across a cream ground, drawn with a steady, unfussy line. It reads as calm rather than busy, even at full width. — Grigory Gladarev Emil's Garden Broad leaves in deep teal and warm brown lean across a cream ground, drawn with a steady, unfussy line. It reads as calm rather than busy, even at full width. View collection Grigory Gladarev — Quiet Worlds →

Cream tulips stand tall against slate green and apricot, the tallest and most upright piece in the family. It suits a narrow wall where height is the point. — Grigory Gladarev Emil's Meadow Cream tulips stand tall against slate green and apricot, the tallest and most upright piece in the family. It suits a narrow wall where height is the point. View collection Grigory Gladarev — Quiet Worlds →

The swirling figure of burl wood, rendered in indigo and midnight blue. Dense and tactile, it turns a whole wall into one continuous surface. — Grigory Gladarev Ettore Burl The swirling figure of burl wood, rendered in indigo and midnight blue. Dense and tactile, it turns a whole wall into one continuous surface. View collection Grigory Gladarev — Quiet Worlds →

Wood grain in cinnamon, amber and dark chocolate, flowing in long vertical runs. Warm and enveloping, close to the feel of a timber-panelled room. — Grigory Gladarev Ettore Grain Wood grain in cinnamon, amber and dark chocolate, flowing in long vertical runs. Warm and enveloping, close to the feel of a timber-panelled room. View collection Grigory Gladarev — Quiet Worlds →

The same flowing grain in pale grey and white, stripped of colour so only the drawing remains. The lightest of the six, and the easiest in a small room. — Grigory Gladarev Ettore Line The same flowing grain in pale grey and white, stripped of colour so only the drawing remains. The lightest of the six, and the easiest in a small room. View collection Grigory Gladarev — Quiet Worlds →

Dark charcoal grain with silver highlights, closer to stone than timber. Dramatic on a single feature wall, heavy if used on all four. — Grigory Gladarev Ettore Root Dark charcoal grain with silver highlights, closer to stone than timber. Dramatic on a single feature wall, heavy if used on all four. View collection Grigory Gladarev — Quiet Worlds →

Fine blue veining runs through a deep indigo ground, tighter and more linear than Burl. A considered choice behind a bed or a desk. — Grigory Gladarev Ettore Veins Fine blue veining runs through a deep indigo ground, tighter and more linear than Burl. A considered choice behind a bed or a desk. View collection Grigory Gladarev — Quiet Worlds →

Rich walnut figure in caramel, cocoa and near-black, the warmest of the grains. It brings the weight of real timber to a wall without the joinery. — Grigory Gladarev Ettore Walnut Rich walnut figure in caramel, cocoa and near-black, the warmest of the grains. It brings the weight of real timber to a wall without the joinery. View collection Grigory Gladarev — Quiet Worlds →

Figures, instruments and moons drift across a taupe and slate ground in flat cubist planes. A conversational piece for a dining room or a landing. — Grigory Gladarev Lunar Drift Figures, instruments and moons drift across a taupe and slate ground in flat cubist planes. A conversational piece for a dining room or a landing. View collection Grigory Gladarev — Quiet Worlds →

The tallest of the family: reclining figures, crescent moons and still life stacked upward in blue-grey and bone. Made for a wall with height to give. — Grigory Gladarev Lunar Eclipse The tallest of the family: reclining figures, crescent moons and still life stacked upward in blue-grey and bone. Made for a wall with height to give. View collection Grigory Gladarev — Quiet Worlds →

Pale figures and moon shapes spread wide across warm stone and cream. The quietest of the four, and the most forgiving in a busy room. — Grigory Gladarev Lunar Silence Pale figures and moon shapes spread wide across warm stone and cream. The quietest of the four, and the most forgiving in a busy room. View collection Grigory Gladarev — Quiet Worlds →

Figures and a low moon in smoke grey, indigo and sand, drawn with soft curves against hard edges. It reads well from across a large room. — Grigory Gladarev Lunar Smoke Figures and a low moon in smoke grey, indigo and sand, drawn with soft curves against hard edges. It reads well from across a large room. View collection Grigory Gladarev — Quiet Worlds →

Ranges of hills fold back into mist in deep teal and pine green. Cool and deep, it makes a small room feel as though it opens onto somewhere else. — Grigory Gladarev Roerich Hills Ranges of hills fold back into mist in deep teal and pine green. Cool and deep, it makes a small room feel as though it opens onto somewhere else. View collection Grigory Gladarev — Quiet Worlds →

Layer upon layer of peaks in ink blue and grey, with white mist caught between them. The most dramatic of the range, and the coolest in tone. — Grigory Gladarev Roerich Light Layer upon layer of peaks in ink blue and grey, with white mist caught between them. The most dramatic of the range, and the coolest in tone. View collection Grigory Gladarev — Quiet Worlds →

Pale cream and oyster ridges recede almost to nothing, barely there at the top of the wall. Close to a neutral, but with somewhere to look. — Grigory Gladarev Roerich Peaks Pale cream and oyster ridges recede almost to nothing, barely there at the top of the wall. Close to a neutral, but with somewhere to look. View collection Grigory Gladarev — Quiet Worlds →

Warm sand and apricot ridges layered under a soft haze. The gentlest way into this range, and the easiest beside wooden furniture. — Grigory Gladarev Roerich Silence Warm sand and apricot ridges layered under a soft haze. The gentlest way into this range, and the easiest beside wooden furniture. View collection Grigory Gladarev — Quiet Worlds →

Dark ridges in umber and bronze with a band of gold along the skyline. Rich and low-lit, it suits a room you use in the evening. — Grigory Gladarev Roerich Twilight Dark ridges in umber and bronze with a band of gold along the skyline. Rich and low-lit, it suits a room you use in the evening. View collection Grigory Gladarev — Quiet Worlds →

Golden ridges roll away under a pale sky, warmer and more open than the rest. It brings light to a wall that does not get much of it. — Grigory Gladarev Roerich Valley Golden ridges roll away under a pale sky, warmer and more open than the rest. It brings light to a wall that does not get much of it. View collection Grigory Gladarev — Quiet Worlds →

Bands of ash grey and pale sand blur into one another with no hard edge anywhere. Almost a plain wall, but with a depth a flat colour cannot reach. — Grigory Gladarev Rotko Ash Bands of ash grey and pale sand blur into one another with no hard edge anywhere. Almost a plain wall, but with a depth a flat colour cannot reach. View collection Grigory Gladarev — Quiet Worlds →

Sea green softens into cream and a faint blush pink along a blurred horizon. Fresh and light, it suits a bedroom or a bathroom wall. — Grigory Gladarev Rotko Blush Sea green softens into cream and a faint blush pink along a blurred horizon. Fresh and light, it suits a bedroom or a bathroom wall. View collection Grigory Gladarev — Quiet Worlds →

Bright turquoise sits above a band of burnt orange and deep teal, the boldest colour in the family. One wall of this is enough. — Grigory Gladarev Rotko Clay Bright turquoise sits above a band of burnt orange and deep teal, the boldest colour in the family. One wall of this is enough. View collection Grigory Gladarev — Quiet Worlds →

Warm sand above a dark earth band, like a horizon just before the light arrives. Grounding and quiet, good behind a bed. — Grigory Gladarev Rotko Dawn Warm sand above a dark earth band, like a horizon just before the light arrives. Grounding and quiet, good behind a bed. View collection Grigory Gladarev — Quiet Worlds →

Pale grey and warm sand meet along a dark, softly drawn line. The most neutral of the six, and the easiest to place anywhere. — Grigory Gladarev Rotko Sand Pale grey and warm sand meet along a dark, softly drawn line. The most neutral of the six, and the easiest to place anywhere. View collection Grigory Gladarev — Quiet Worlds →

Deep blues stack from sky to sea with a thin line of turquoise between them. Cool and still, it holds a room together without shouting. — Grigory Gladarev Rotko Veil Deep blues stack from sky to sea with a thin line of turquoise between them. Cool and still, it holds a room together without shouting. View collection Grigory Gladarev — Quiet Worlds →

Arches and circles interlock in terracotta, taupe and deep teal, painted with a soft, chalky finish. Architectural without being cold. — Grigory Gladarev Silent Arch Arches and circles interlock in terracotta, taupe and deep teal, painted with a soft, chalky finish. Architectural without being cold. View collection Grigory Gladarev — Quiet Worlds →

Repeating arches and faceted diamonds in sand, clay and slate, arranged with an even, steady rhythm. It gives a plain corridor something to do. — Grigory Gladarev Silent Axis Repeating arches and faceted diamonds in sand, clay and slate, arranged with an even, steady rhythm. It gives a plain corridor something to do. View collection Grigory Gladarev — Quiet Worlds →

A central rosette anchors arches and blocks in warm apricot, cocoa and navy. The most symmetrical piece here, and the most formal. — Grigory Gladarev Silent Passage A central rosette anchors arches and blocks in warm apricot, cocoa and navy. The most symmetrical piece here, and the most formal. View collection Grigory Gladarev — Quiet Worlds →

Sage, olive and charcoal shapes overlap in a loose grid, part pattern and part drawing. Cooler and more graphic than the others in the set. — Grigory Gladarev Silent Planes Sage, olive and charcoal shapes overlap in a loose grid, part pattern and part drawing. Cooler and more graphic than the others in the set. View collection Grigory Gladarev — Quiet Worlds →

A wide green field meets pale water and a washed-out sky, with one small mark of orange for warmth. Loose brushwork, nothing sharp anywhere. — Grigory Gladarev Velvet Dawn A wide green field meets pale water and a washed-out sky, with one small mark of orange for warmth. Loose brushwork, nothing sharp anywhere. View collection Grigory Gladarev — Quiet Worlds →

Pale water and low banks dissolve into a cream sky in blocks of loose colour. Barely there, in the best way, for a room that needs calm. — Grigory Gladarev Velvet Dusk Pale water and low banks dissolve into a cream sky in blocks of loose colour. Barely there, in the best way, for a room that needs calm. View collection Grigory Gladarev — Quiet Worlds →

Dark pines crowd the water's edge in olive, moss and near-black. The deepest and most enclosing of the six. — Grigory Gladarev Velvet Forest Dark pines crowd the water's edge in olive, moss and near-black. The deepest and most enclosing of the six. View collection Grigory Gladarev — Quiet Worlds →

A still lake reflects a far shore in soft blue-grey, the whole scene lit evenly and low. Restful without being empty. — Grigory Gladarev Velvet Glow A still lake reflects a far shore in soft blue-grey, the whole scene lit evenly and low. Restful without being empty. View collection Grigory Gladarev — Quiet Worlds →

Turquoise water lies beneath a heavy grey sky, with mist gathering along the far shore. The most atmospheric piece in the family. — Grigory Gladarev Velvet Horizon Turquoise water lies beneath a heavy grey sky, with mist gathering along the far shore. The most atmospheric piece in the family. View collection Grigory Gladarev — Quiet Worlds →

Almost entirely mist: pale grey and off-white with the faintest suggestion of land. The quietest thing in the collection. — Grigory Gladarev Velvet Smoke Almost entirely mist: pale grey and off-white with the faintest suggestion of land. The quietest thing in the collection. View collection Grigory Gladarev — Quiet Worlds →

A lush green jungle canopy alive with palms and bright parrots against a light sky. Fresh and full, it turns a wall into a window on the treetops. — Kikki Belle Canopy Jungle A lush green jungle canopy alive with palms and bright parrots against a light sky. Fresh and full, it turns a wall into a window on the treetops. View collection Kikki Belle →

A gentle band of animals — a leopard on a log, giraffe, zebra and ostrich — strung along leafy branches on a soft cream ground. Made to run at picture height around a room, it reads as calm decoration rather than a busy scene. — Kikki Belle Amazing Animals A gentle band of animals — a leopard on a log, giraffe, zebra and ostrich — strung along leafy branches on a soft cream ground. Made to run at picture height around a room, it reads as calm decoration rather than a busy scene. View collection Kikki Belle →

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